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Yamaha LS9-16
Yamaha LS9-32
Yamaha M7CL
Yamaha PM5D
Contents:
Yamaha PM5D-RH console
Optional upgrades:
Console lights, optional case, meter bridge, in/out cards, redundant power supply, power supply link cable.
Specifications
Internal Signal Processing |
32-bit (Accumulator 58-bit) |
Sampling Frequency |
Internal |
44.1 kHz, 48kHz, 88.2kHz, 96kHz |
External |
Normal rate: 44.1kHz (-10%) — 48kHz (+6%)
Double rate: 88.2kHz (-10%) — 96kHz (+6%) |
Signal Delay |
Less Than 2.3ms INPUT to STEREO A, B (@ Fs = 48kHz)
Less Than 1.15ms INPUT to STEREO A, B (@ Fs = 96kHz) |
Fader |
Motorized, Stroke: 100mm All Faders |
Fader Resolution |
+10 – -138, -∞dB (1024 steps) All Faders |
Total Harmonic Distortion
Input Gain = Min. |
Less Than 0.05 % 20Hz – 20kHz @+4dBu into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency - 44.1kHz or 48kHz)
Less Than 0.05 % 20Hz – 40kHz @+4dBu into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT (@Sampling frequency = 96kHz) |
Frequency Response |
PM5D |
0.5, -1.5dB 20Hz – 20kHz @1kHz into 600Ω
INPUT 1 48 ch to STEREO A,B OUT
(@Sampling frequency = 44.1kHz or 48kHz)
0.5, -2dB 20Hz – 40kHz @1kHz into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency = 96kHz) |
PM5D-RH |
1.0, -3.0dB 20Hz 20kHz @1kHz into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency = 44.1kHz or 48kHz)
1.0, -3.0dB 20Hz – 40kHz @1kHz into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency = 96kHz) |
Dynamic Range
(Max level to noise level) |
110 typ. DA Converter (STEREO A, B OUT)
(@Sampling frequency = 44.1kHz or 48kHz)
108 typ. AD + DA (to STEREO A, B OUT),
GAIN: Min., PAD: ON (@Sampling frequency = 44.1kHz or 48kHz)
110 typ. DA Converter (STEREO A, B OUT) (@Sampling frequency = 96kHz)
106 typ. AD + DA (to STEREO A, B OUT),
GAIN: Min., PAD: ON (@Sampling frequency= 96kHz) |
Hum & Noise
Rs = 150Ω
Input Gain = Max.
Input Pad = 0dB
Input sensitivity = -60dB |
-128dBu Equivalent Input Noise (20Hz – 20kHz) STEREO A, B OUT
-86dBu Residual Output Noise, ST Master Off. |
Maximum Voltage Gain
@ 1kHz |
84dB INPUT 1 – 48 to STEREO A, B OUT, Rs = 150., Input Gain: Max., PAD: Off
84dB INPUT 1 – 48 to MIX OUT/MATRIX OUT/CUE OUT/MONITOR OUT
(via STEREO Bus) |
Crosstalk @ 1kHz |
-80dB Adjacent Input 1 – 48
-80dB Input to Output |
Power Requirements |
PM5D |
480W DC 24V 20A (Use PW800W Only) |
PM5D-RH |
600W DC 24V 25A (Use PW800W Only) |
Dimensions |
W x D x H (mm) 1551 x 950 x 283 |
Net Weight |
PM5D: 98 kg |
PM5D-RH: 97 kg |
Operation free-air
Temperature Range |
10 – 35 °C |
Storage Temperature
Range |
-20 – 60 °C |
* Input Gain = Min.
* Hum & Noise is measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with
infinite dB/octave attenuation.
* total Harmonic Distortion is measured with a 18dB/octave filter @ 80kHz
* Dynamic range is measured with a 6dB/octave filter @ 12.7kHz; equivalent to a 20kHz filter with
infinite dB/octave attenuation. |
Features
In a surprisingly compact frame that weighs only around 100 kilograms, the Yamaha PM5D offers 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs (expandable). The mix buses can be switched to "variable" mode for use as auxiliary buses, or to "fix" mode for pre- or post-pan group bus operation. A full complement of physical I/O connectors provides further patching capability and broad system compatibility.
While internal digital I/O patching offers extraordinary signal-routing control when needed, the Yamaha PM5D has dedicated connectors for straightforward connection without the need for patching, in much the same way that you'd set up a conventional analog console. But you can bring the power of digital patching into play whenever you need to specify insert points, direct outs, metering points, dynamic processor key-in points…a vast range of patching capabilities that simply would not have been possible in the analog domain.
Highlights
The PM5D V2 offers every processing facility you'll ever need onboard. Every input channel has 4-band EQ plus a high pass filter, a separate gate and compressor, and delay of up to 1000 milliseconds. The stereo and mix outs have 8-band EQ, compressor, and delay. The matrix outs have 4-band EQ, compressor and delay. The cue and monitor outs even include a useful 1000 millisec delay. But the PM5D V2 doesn't stop there! It features twenty 31-band GEQs or a combination of 12 GEQs and eight independent VCM type or SPX2000-class multi-effect processors that can be patched into any of the console's input, stereo, mix, or matrix channels, offering a comprehensive range of reverb, delay, modulation, and combination effects. The PM5D V2 also comes with Yamaha's incomparable ADDON EFFECTS built in! You have immediate access to acclaimed REV-X Reverb programs as well as the Compressor276, Compressor260 and EQ601 programs from the AE-011 Channel Strip package and the Open Deck programs from the AE-021 Master Strip package.
CTS Insight
The recallability of scenes and mixes is simple and such a time saver. Once you try this console you will never want to go back to analog. The Yamaha platform is the most tested and tried of all digital consoles. They just plain do not fail. There is a 24 hour tech hotline for help in emergencies which evokes confidence in the product and technical staff support. You are not buying a piece of gear based on price…you are making an investment in the Yamaha product family with lifetime support.
Price
Range: This manufacturer requires a phone conversation to get pricing.
Call Glenn Taylor at 877-977-4377 for Ordering info.
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